5 Reasons for Writing Fan Fiction

Fan fiction is a term for stories about characters or settings written by fans of the original work, rather than by the original creator. It can be based on a book, a video game, a soap opera, or other pop culture phenomenon. If you google your favorite show, you will no doubt find some stories written by other fans out there. Some of it is written by amateurs just looking to have a good time or voice their opinions about what should have been. Some comes from writers or aspiring writers. From time to time, the value of writing fanfic vs. original fiction can be called into question. Some members writing community don’t consider it to be “real” writing. While it can never be published in book form or sold for profit, I would venture to say that it is absolutely “real” writing and I can think of at least five good reasons to do it.

Reason #1

Character development and consistency is very important when writing original fiction. With fanfic, the characters are already developed, but consistency is still the key. Staying true to the characters that people know and love is tough and must be taken seriously. To really do it right, you’ll need to examine their vocabulary, imitate typical speech patterns, describe their mannerisms etc. Both the actions and the dialogue need to be spot on. If your portrayal of a legacy character is not up to snuff, you’ll anger the fans you’re supposed to be writing for and they can get rather rowdy. They will keep you on your toes, but it’s good practice.

Reason #2

If you’re a fluffy romance novelist considering trying your hand at murder mystery or vice versa, writing fanfic may be the perfect way to test out a new genre. It’s a great way to try out new techniques in smaller chunks of serial fiction. That way you can see what works best for you and what’s best received by readers as you go instead of experimenting with a novel sized piece. You can apply what you’ve learned to the novel later on.

Reason #3

Fanfic readers are avid fans who are constantly looking for more to read. They get excited when a new chapter comes out. Many will read it almost immediately and review or comment on your work. They will be brutally honest, but that’s a good thing. This feedback can be very valuable. Of course, you have to weigh the responses and see which pieces are valuable and which pieces you should just let go. That’s good practice for when the reviews of your novel start rolling in. With any luck, however, you’ll be able to take some of the critiques and use them in your original writing.

Reason #4

If you write good fanfic, chances are you will build a fan base that will want to check out your book once it’s published. Some serious writers may tell you that they don’t want to be known for this fanfic. If you’re looking to go down in history with Shakespeare or Tolstoy, you may not think this is for you. But most of the time the goal is to write and enjoyable piece of fiction that people will buy.  I once read that Fifty Shades of Grey was originally marketed to the Twilight fanfic audience.  You tell me. How did that work out for E.L. James?

Reason #5

It’s fun!  Most of us became writers because we love stories. We love creating. It’s fun. It’s an escape. Sometimes, when I’m in the middle of a writing project, I get so mired down in the technique and the structure that I lose sight of the reason that I started to begin with. So, if you find yourself stressed over the current project, take a break and write something a little more frivolous. Again, that is not to say that fanfic should not be taken seriously, but it’s not what’s paying the bills, so you can afford to relax just a little bit. Enjoy your favorite characters. Rewrite their stories to make them what you always hoped they would be. Throw them into a wild love triangle or a new super spy mystery.  Just have fun!

A Final Word of Advice:

If you are writing fanfic to hone your craft with hopes of publishing your own original work someday, have fun, but make it good. I know I just finished telling you that it is a non-threatening way to experiment. I stand by that, but make sure that even in those experimental phases you are putting out the best product you can. Don’t forget to focus on mechanics too. Just because people are pop-culture fans and not literary critics, it doesn’t mean they don’t appreciate a well-written story with good grammar. Too many errors will leave a lasting impression, and it won’t be a good one.  So spend some time editing.  Remember that once you put it out there, you can never really take it back. You don’t want to go down as the one who had a great story but mutilated the English language.

So there you have it. As far as I’m concerned, whether it’s original or not, it’s all good practice. You can’t publish your version of your favorite soap opera, but you can tap into the existing fan base for exposure and feedback. You can improve your technique by taking risks you wouldn’t take on your own.  Just remember, as in all writing, respect your characters. Respect their history, but don’t be afraid to take them somewhere they’ve never been. Go somewhere you’ve never gone.  Grow.  Get creative. Get busy. Get writing!

 

 

Technique, or Technically Crazy

It’s late, I’m tired, and I may be crazy, but I’m going to put this out there anyway just for kicks. Do what you will with it.

booksAs a novelist, part of my writing process involves reading completed scenes aloud in order to ensure that the dialog is realistic. That is nothing extraordinary. Many authors do it. But the conversations are often worked out in my head long before the words ever hit the page. This usually involves finding a quiet place to sit and… well… talk to myself. Now, I have heard people say that you can talk to yourself as long as you don’t start to answer back. Even if that’s the case, I’m still in trouble. I frequently talk back, yell back, and even swear back—all in a British accent. I don’t suppose it will help my cause to admit that I was born in Toledo, Ohio to parents of German and Polish ancestry.

As if what I have just told you is not enough to question my sanity, this morning I came to the realization that I may be truly certifiable. As I said before, I have to find a quiet place to talk, and often that sanctuary is in my car. So, this morning, as I drove to work, I began playing out a particularly emotional bit of conversation. I didn’t notice any of the other drivers staring at stop lights. They probably just thought I was talking on the phone. (Yes. I’m sure that’s it.) But, I did notice that about ten minutes into it, I was forced to remove my glasses and wipe tears from my eyes. Yes. That’s right. While driving to work, I allowed myself to get so worked up over my characters’ conversation that I actually made myself cry!

I’d like to tell you that it’s all just a completely natural part of the creative process, but I’m not so sure. I mean, really… I was so wrapped up in the stories in my own head that I broke into tears in my car on the drive to work. Can that possibly be normal? Can you imagine walking into the office with red puffy eyes and having to explain it to your boss—or in my case to a bunch of teenagers?

“Ms. Thompson, are you okay? Did you have an accident or something?”

“No, Billy. I was just imagining that I was a forty-five year old British woman who finds out the love of her life is…”

I’ll just stop right there because there is no way that conversation is not going to end badly!

Friends and fellow authors, cast your vote. Can I chalk it all up to technique, or am I technically crazy? Just for fun, click “like” for technique and “share” for technically crazy. We’ll see who wins.

Oh… What is your book about?

This is a question I get asked a lot. So, here it is in a nut shell. This is the pitch that took Once in Love with Lily to round two of the Amazon Breakthrough Novel Awards 2014.

Lily Josephson is a choreographer living in LA with her long-time husband, movie mogul C.S. George. She has settled into a comfortable, predictable, and fabulously wealthy lifestyle. Thanks to her husband’s connections and resources and the help of modern technology, she manages to maintain a successful career as a Hollywood choreographer, despite the fact that she hasn’t danced in front of a live audience in over seven years due to a tragic accident that nearly left her paralyzed.

When Lily’s brother calls seeking her help with his fledgling Broadway show, the idea of returning to New York and the live stage seems almost impossible. Even if she can ignore emotional and physical scars left by the accident, she will still have to convince the cast to put their faith in her and her untraditional methods. Unfortunately, her no-nonsense husband, more interested in protecting his investment in the show than protecting her feelings, doesn’t leave her any choice. Upon arrival in New York, she runs into Tony, the one person from her past she never intended to see again. Suddenly, the thought of professional failure pales in comparison to dealing with the man who walked out on her and all but destroyed her over a decade before.

A series of twists sends Lily and Tony on an intercontinental journey, filled with humor, romance, and betrayal. Old secrets are revealed and new ones created as the two of them begin to unearth the shards of their broken relationship. Torn between the husband who has given her the world and the man who once was her world, Lily must weigh the importance of faith, trust, and commitment. She must choose sides between love and passion and moral responsibility and decide if recapturing the past is worth risking her future.

Lily cover

Once in Love with Lily is available in paperback and Kindle formats on Amazon.com.

View the book trailer.

 

 

And The Award Goes To…. (If I’m lucky!)

The Ohio Arts Council awards grants biennially to Ohio poets, fiction writers, and creative nonfiction writers. When submitting material for the award, artists are asked to write a short narrative of one page or less. How in the world do you summarize your process, motivation, and subject matter of a 282 page manuscript in a page or less?  After some thought, here’s what I came up with.

The idea for this novel was born out of my curiosity for celebrity biographies, my love of soap operas and theater, and my personal history in ballroom dance. I wrote the first draft as part of a challenge issued by my husband to participate in National Novel Writing Month 2011. I then spent the next year and a half working on subsequent drafts, further developing characters, adding details, and improving the story structure. Some might say that’s going about the process in a completely backwards fashion, but I am not a planner or a plotter. I am what many writers call a “pantser.” I didn’t start with a story arc or a character arc. I sat down and started typing, simply allowing my characters to dictate the direction the story. In the beginning, I couldn’t imagine I would have enough story to fill a book. As I developed my characters and told their story, they came alive in my head. Before I knew it, their romance filled nearly three hundred pages. It began as a fun little story about two estranged people unearthing an old friendship and recapturing a lost love. Along the way it became a statement about the importance of friendship, faith, and trust in a relationship. That same faith and trust allowed the protagonist to rediscover her own self-worth and overcome her fears. The love story challenges readers to choose sides between love and passion and moral responsibility, due to the adulterous nature of the relationship. Secondary characters confront societal norms and show support of marriage equality and gay adoption rights. These characters made me laugh, made me swoon, and, at times, brought me to tears. They led me across the globe from LA to New York and the on to France and England. Thankfully, my British characters also spoke French, even though I don’t! I’m extremely excited to think about readers enjoying the same journey.

If I’m lucky, the grant committee with like what the see from me. If I’m very lucky, you will too! Look for Once in Love with Lily by Cathryn K. Thompson  coming this fall!

Why didn’t somebody tell me?

Why didn’t somebody tell me that writing a novel was going to be so much fun?  I would have done it sooner!  No, that’s not sarcasm.  I have had more fun writing than I ever imagined possible. My imagination has been allowed to run wild, my flare for drama has finally come in handy, and I’ve been getting away with talking to myself fairly frequently. If anyone catches me I just claim to be testing lines of dialog. “Um….” I say, ” According to Judy Blume, you have to hear the dialog out loud in order to see if it really works.”

Of course, no one ever told me how frustrating it would be either. It’s not that I expected it would be particularly easy. I just didn’t realize that I would be driven made by the conflicting opinions of my editor and beta readers.  The editor tells me to add more detail. Reader A says there are too many unnecessary descriptors. Reader B tells me a character needs to be more villainous. Reader C claims he’s not sympathetic enough. The list goes on.

I do appreciate their feedback. Multiple perspectives are a good thing. But now I have to figure out which pieces of advice to take and which to ignore. In the end, no matter what everyone else thinks, I have to decide what story I want to tell. Better yet, I have to tell the story of Lily and Tony. It’s not my story anymore. It’s theirs.

Once I’m finished… whenever that is… I only hope that it’s a story readers will enjoy and won’t regret paying for!